Devas

The Shiny Ones

Guardian Angels

-

Deva

Source: https://en.wikipedia.org/wiki/Deva_(Hinduism) 

-

Deva (/ˈdeɪvə/; Sanskrit: देव, Deva) means "shiny", "exalted", "heavenly being", "divine being", "anything of excellence", and is also one of the Sanskrit terms used to indicate a deity in Hinduism. Deva is a masculine term; the feminine equivalent is Devi.

-

In the earliest Vedic literature, all supernatural beings are called Devas and Asuras. The concepts and legends evolved in ancient Indian literature, and by the late Vedic period, benevolent supernatural beings are referred to as Deva-Asuras. In post-Vedic Hindu texts, such as the Puranas and the Itihasas of Hinduism, the Devas represent the good, and the Asuras the bad. In some medieval works of Indian literature, Devas are also referred to as Suras and contrasted with their equally powerful but malevolent half-brothers, referred to as the Asuras.

-

Devas, along with Asuras, Yakshas (nature spirits), and Rakshasas (ghoulish ogres/demons), are part of Indian mythology, and Devas feature in many cosmological theories in Hinduism.

Read More Asuras Demigods and Demons click

-

Etymology

Deva is a Sanskrit word found in Vedic literature of 2nd millennium BCE. Sir Monier Monier-Williams translates it as "heavenly, divine, terrestrial things of high excellence, exalted, shining ones". The concept also is used to refer to deity.

-

According to Douglas Harper, the etymological roots of Deva mean "a shining one," from *div- "to shine," and it is cognate with Greek dios "divine" and Zeus, and Latin deus "god" (Old Latin deivos). The word "Deva" shares similarities with Persian Daeva.

-

Deva is masculine; the related feminine equivalent is devi. Etymologically, Devi is cognate with Latin dea. When capitalized, Devi or Mata refers to a divine mother goddess in Hinduism. Deva is also referred to as Devata, and Devi as Devika.

-

The word Deva is also a proper name or part of a name in Indian culture, where it refers to "one who wishes to excel, overcome" or the "seeker of, master of or a best among".

-

Vedic literature

Shiva/Rudra has been a major Deva in Hinduism since the Vedic times. Above is a meditating statue of him in the Himalayas with Hindus offering prayers.

Samhitas and Brahmanas

The 12 Devas protecting Buddha, by Tani Bunchō. The Hindu Devas were adopted by Japanese Buddhists in the first millennium as Jūni-ten

-

The Samhitas, which are the oldest layer of text in Vedas enumerate 33 devas, either 11 each for the three worlds, or as 12 Adityas, 11 Rudras, 8 Vasus and 2 Asvins in the Brahmanas layer of Vedic texts. The Rigveda states in hymn 1.139.11,

ये देवासो दिव्येकादश स्थ पृथिव्यामध्येकादश स्थ ।
अप्सुक्षितो महिनैकादश स्थ ते देवासो यज्ञमिमं जुषध्वम् ॥११॥

O ye eleven deities whose home is heaven, O ye eleven who make earth your dwelling,
Ye who with might, eleven, live in waters, accept this sacrifice, O deities, with pleasure.
– Translated by Ralph T. H. Griffith[29]

Deities who are eleven in heaven; who are eleven on earth;
and who are eleven dwelling with glory in mid-air; may ye be pleased with this our sacrifice.
– Translated by HH Wilson

— Rigveda 1.139.11

Some devas represent the forces of nature and some represent moral values (such as the Adityas, Varuna, and Mitra), each symbolizing the epitome of a specialized knowledge, creative energy, exalted and magical powers (Siddhis).

-

The most referred to Devas in the Rig Veda are Indra, Agni (fire) and Soma, with "fire deity" called the friend of all humanity, it and Soma being the two celebrated in a yajna fire ritual that marks major Hindu ceremonies. Savitr, Vishnu, Rudra (later given the exclusive epithet of Shiva), and Prajapati (later Brahma) are gods and hence Devas. Parvati (power and love) and Durga (victory) are some Devis or goddesses. Many of the deities taken together are worshiped as the Vishvedevas.

-

Important Devas

  • Brahma the deity of creation

  • Vishnu the deity of preservation

  • Shiva the deity of destruction and time; associated with fertility and regeneration

  • Ganesha the deity of new beginnings, wisdom, and luck

  • Hanuman the deity associateded to courage, reverence and strength/avatar of Shiva

  • Kartikeya the deity of victory and war

  • Vishwakarma the deity of architecture

  • Dhanvantari the deity of doctors and Ayurveda/avatar of Vishnu

  • Dyaus the deity of the aether (or sky)

  • Vayu the deity of air, wind and breath

  • Varuna the deity of water and rain

  • Agni God of Fire (Read More click)

  • Yama God of Death and Hell (Read More click)

  • Samudra the deity of the seas/form of Varuna

  • Kubera the deity of opulence and wealth

  • Kamadeva the deity of love

  • Indra King of The Gods and Heaven Thunder Storms (Read More click)

  • Ashwini Kumara the deity of health and medicine

  • Surya the deity of the sun, light and day

  • Chandra the deity of the moon and night

  • Mangala the deity of Mars and Aggression

  • Budha the deity of Mercury and Nature

  • Brihaspati the deity of Jupiter and teacher of the Devas

  • Shukra the deity of Venus and worship (bhakti) and teacher of the Asuras

  • Shani deity of Saturn and deeds (karma, Mahakala The Black Sun Read More click)

Henotheism

In Vedic literature, Deva is not a monotheistic God; rather a "supernatural, divine" concept manifesting in various ideas and knowledge, in a form that combines excellence in some aspects, wrestling with weakness and questions in other aspects, heroic in their outlook and actions, yet tied up with emotions and desires.

-

Max Muller states that the Vedic hymns are remarkable in calling every one of the different devas as "the only one, the supreme, the greatest". Muller concluded that the Vedic ideas about devas are best understood neither as polytheism nor as monotheism, but as henotheism where gods are equivalent, different perspectives, different aspects of reverence and spirituality, unified by principles of Ṛta and Dharma.

-

Upanishads

The oldest Upanishads mention Devas, and their struggle with the Asuras. The Kaushitaki Upanishad, for example, in Book 4 states that "Indra was weaker than the Asuras when he did not know his own Atman (soul, self). Once Indra had self-knowledge, he became independent, sovereign and victorious over the Asuras"; similarly, states Kaushitaki Upanishad, "the man who knows his inner self gains independence, sovereignty and is unaffected by all evil".

Read More Dharmapalas The Wrathful Protector Gods click

The Firstborn - Illumination of the Five Realms

Lyrics

Let there be homage,

Homage to the Virtuous One.

Conqueror of what must be conquered,

Resplendent with knowledge.

Beyond the eightfold Narakas'

Where one dies a thousand deaths,

Constantly consumed by flame,

The fire-torment of Great Roruva.

There lies Pain, without Intermission.

Beyond the cesspool of Milhaküpa,

The embers of Kukkula,

The trees of the Asipattavana

And the Nad' River

There lie Those Having Swords for Nails.

Beyond the Animal realm,

Where men are driven into

By passion and delusion,

By anger and arrogance.

There lie nägas of great iddhi-power.

Beyond the realm of ghosts and demigods,

The petas and katapütanas.

Where the wicked are reborn

As deformed kumbhandas'

There lie those reborn as Yama's rakkhasas.

Suffering is the fruit of evil,

Comfort of meritorious action.

A mixture of a mixture'

One should know that every fruit corresponds to the deeds.

Such is the doctrine of karma.

Such is the way of Man,

Towards the realms of the devas,

And Passion's release.

Source: https://fionadiaries.com/2023/02/23/narayana/

Pictures Videos Music and Additional Reading

In the earliest Vedic literature, Devas are benevolent supernatural beings; above, a gilt-copper statue of Indra, "Chief of the Gods", from 16th-century Nepal.

Source: https://en.wikipedia.org/wiki/Deva_(Hinduism) 

OM GAM GANAPATAYE NAMAHA

~

OM - The Sound, the Vibration of the Universe, The Primordial Sound

GAM - The Seed Sound, or bija sound of Lord Ganesha

GANAPATAYE - Another name of Lord Ganesh, the one who overcomes of obstacles.

NAMAHA - I offer you my salutations, I bow to you.

Durga holding the infant Krishna (Deva Gostha) India ca. 1885–95.

Durga is seen here in her maternal aspect, offering the infant Krishna sweets from a bowl. The divine pair sit on her lion vehicle (vahana) set on marble paved floor and against a golden aureole (prabha) which has forest landscape painted on the interior and heavenly clouds populated by the gods in the outer register.

-

This framing device evokes the portable shrines constructed in Bengal for the Durga Puja festival. The presiding gods are attended by Lakshmi, goddess of wealth with Vishnu, seen left, and Sarawati, goddess of learning, along with Shiva and Brahma, to the right. Below are Ganesha and Skanda riding his peacock, and in the foreground Krishna’s childhood friends play with two cows and a calf.

Source: https://www.metmuseum.org/art/collection/search/722753 

Bhavachakra describing the cycle of saṃsāra: illustrated in the wheel are six realms of existence in which a sentient being can reincarnate (Samsara), according to the rebirth doctrine of Buddhism. Yama, the god of death (Read More click), is at the top of the outer rim. The outer rim shows the Twelve Nidānas doctrine.

Read More Yama, The God of Death The Underworld click

The Thirty-one Planes of Existence

Scattered throughout the suttas are references to as many as thirty-one distinct "planes" or "realms" of existence into which beings can be reborn during their long wandering through samsara. These range from the extraordinarily grim and painful hell realms all the way up to the most exquisitely refined and blissful heaven realms.

-

Existence in every realm is temporary; in Buddhist cosmology there is no eternal heaven or hell. Beings are born into a particular realm according to their past kamma. When they pass away, they take rebirth once again elsewhere according to the quality of their kamma: wholesome actions bring about a favorable rebirth, while unwholesome actions lead to an unfavorable one. And so the wearisome cycle continues.

The realms of existence are customarily divided into three distinct "worlds" (loka), listed here in descending order of refinement:

  • The Immaterial World (arupa-loka). Consists of four realms that are accessible to those who pass away while meditating in the formless jhanas.

  • The Fine-Material World (rupa-loka). Consists of sixteen realms whose inhabitants (the devas) experience extremely refined degrees of mental pleasure. These realms are accessible to those who have attained at least some level of jhana and who have thereby managed to (temporarily) suppress hatred and ill-will. They are said to possess extremely refined bodies of pure light. The highest of these realms, the Pure Abodes, are accessible only to those who have attained to "non-returning," the third stage of Awakening. The Fine-Material World and the Immaterial World together constitute the "heavens" (sagga).

  • The Sensuous World (kama-loka). Consists of eleven realms in which experience — both pleasurable and not — is dominated by the five senses. Seven of these realms are favorable destinations, and include our own human realm as well as several realms occupied by devas. The lowest realms are the four "bad" destinations, which include the animal and hell realms.

The information on this page was assembled from a variety of sources. In the interests of economizing space I have not attributed each fact to its respective source.

Read More Samsara The Karmic Cycle click

Source: https://www.accesstoinsight.org/ptf/dhamma/sagga/loka.html 

Varaha Deva by Vrindavan Das. This is a series of paintings of 10 avataras of Lord Vishnu for Mseum of Sacred art, Belgium acrylic on canvas, 72x50 cm.

Source:

Music

Nightbringer - Old Night

Lyrics

Thou hermit of Old Night who wadest into the turbulence of the waters un-drowned, who verily enters into death‟s magisterium without fear, thou whose toil is the ineffable work of the abyss that draws forth the all slaying solve, thou art amongst the deathless race of the kingless, beyond the provenance of god.

In the light of Lucifer‟s dawn, thy shadow casts long and dim before thee. In the pitch of Noctifer‟s saturnine night thy shadow is the very face of the abyss. Oh vajra-hearted lord enthroned within the silence between the birth and death of every thought, in thronismos within the shadowed temple at the crux of the cruciform!

Yet shall the very abyss of thought be wholly illuminated by the gleam from thy morningstar lantern, the fruit plucked from the deepest root. To guide the pandemonion of self unto the scarlet hill of martyrdom, upon the path that even devas are cursed to tread. Thou hast withdrawn the husks of the most bitter seed and the garments from the gods themselves, to reach the hypostasis that is a black pearl dazzling the 7 aeons.

Betwixt the hammer and anvil of becoming is thy presence eternal that is in between-ness known as N.O.X. Self-murderer and Self-begetter, with eyes fixed unto the cup of Djemscheed, thou breakest the chains forged by stellar gravity. Oh, the motionless movement of Death! With both the soberness of the Amethyst and the mad Satyr's ecstatic thirst, leap ye forth into the Mandala's center – The Point where sun and moon collide, crushed to lifeless splinters before ancient Night's hollow eye.