Ghoul

The Demons

of The Graveyard

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Ghoul

Source: https://en.wikipedia.org/wiki/Ghoul 

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A ghoul (from Arabic: غول, ghūl) is a demon-like being or monstrous humanoid. The concept originated in pre-Islamic Arabian religion, associated with graveyards and the consumption of human flesh. Modern fiction often uses the term to label a certain kind of monster.

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By extension, the word ghoul is also used in a derogatory sense to refer to a person who delights in the macabre or whose occupation directly involves death, such as a gravedigger or graverobber.

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Ghoul is from the Arabic غُول ghūl, from غَالَ ghāla, "to seize". In Arabic, the term is also sometimes used to describe a greedy or gluttonous individual. The etymology of gal and gala: "to cast spells", "scream", "crow", and its association with "warlike ardor", "wrath", and the Akkadian "gallu", which refer to demons of the underworld.

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The term was first used in English literature in 1786 in William Beckford's Orientalist novel Vathek, which describes the ghūl of Arabic folklore. This definition of the ghoul has persisted until modern times with ghouls appearing in popular culture.

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In Arabic folklore, the ghul is said to dwell in cemeteries and other uninhabited places. A male ghoul is referred to as ghul while the female is called ghulah. A source[who?] identified the Arabic ghoul as a female creature who is sometimes called Mother Ghoul (ʾUmm Ghulah) or a relational term such as Aunt Ghoul. She is portrayed in many tales luring hapless characters, who are usually men, into her home where she can eat them.

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Some state[who?] that a ghoul is a desert-dwelling, shapeshifting demon that can assume the guise of an animal, especially a hyena. It lures unwary people into the desert wastes or abandoned places to slay and devour them.

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The creature also preys on young children, drinks blood, steals coins, and eats the dead, then taking the form of the person most recently eaten. One of the narratives identified a ghoul named Ghul-e Biyaban, a particularly monstrous character believed to be inhabiting the wilderness of Afghanistan and Iran.

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It was not until Antoine Galland translated One Thousand and One Nights into French that the Western concept of ghouls was introduced into European society. Galland depicted the ghoul as a monstrous creature that dwelled in cemeteries, feasting upon corpses.

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Islamic theology

Ghoul are not mentioned in the Quran, but in hadith. While some consider the ghoul to be a type of jinn, other exegetes of the Quran (tafsir) conjectured that the ghouls are burned devils. Accordingly, the shayatin (devils) once had access to the heavens, where they eavesdropped, and returned to Earth to pass hidden knowledge to the soothsayers.

Read More Jinn Demigods and Demons Types of Jinn click

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When Jesus was born, three heavenly spheres were forbidden to them. With the arrival of Muhammad, the other four were forbidden. The marid among the shayatin continued to rise to the heavens, but were burned by comets. If these comets didn't burn them to death, they were deformed and driven to insanity. They then fell to the deserts and were doomed to roam the earth as ghouls.

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In one[which?] hadith it is said, lonely travelers can escape a ghoul's attack by repeating the adhan (call to prayer). When reciting the Throne Verse, a ghoul might decide to convert to Islam.

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The ghoul could appear in male and female shape, but usually appears female to lure on male travelers to devour them. Al-Masudi reports that on his journey to Syria, Umar slew a ghoul with his sword. According to History of the Prophets and Kings, the rebellious (maradatuhum) among the devils and the ghouls have been chased away to the deserts and mountains and valleys a long time ago.

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Other Muslim scholars, like Abī al-Sheikh al-Aşbahânī, describe the ghoul as a kind of female demon that was able to change its shape and appear to travelers in the wilderness to delude and harm.

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In ancient Mesopotamia, there was a monster called 'Gallu' that could be regarded as one of the origins of the Arabic ghoul. Gallu was an Akkadian demon of the underworld responsible for the abduction of vegetation god Dumuzid to the realm of death.

Read More Jinn Demigods and Demons Types of Jinn click

Read More Zaqqum Tree of Hell click

Source: https://enklawanetwork.pl/pc/vademecum/wiedzmin3dzikigon/gwint/karta/ghul

Vampire - Ghoul Wind

Lyrics

Night falls over hills and rural plains

Night calls to the sleeping bone remains

Every fourth moon for centuries

sees the charge of the ghoul wind raid

Midwinter and Walpurgis Night

and at Cimmerian August Shade

Lids creak as the corpses start to barge

Tombs speak in the draught

of the raider's charge

Unfortunate nights for centuries

as the moon wears cranial shade

bonfires burn for mercy

to fend off the spectral blade

Godless spirit raiders

ride the howling wind

Backwood grave invaders

resume their die hard sin

Screeching and yammering

with grins of vengeful might

Ghouls blaze across the sky tonight

Every fourth moon for centuries

sees the charge of the ghoul wind raid

May-Eve and Midwinter Blot

and at Cimmerian August Shade.

Source: https://wiedzmin.fandom.com/wiki/Ghul

Pictures Videos Music and Additional Reading

Ghoul by cloister on deviant-art

"Amine Discovered with the Goule", illustration for "History of Sidi Nouman" of the Arabian Nights. Engraving from The Arabian Nights Entertainments, translated by the Reverend Edward Forster, carefully revised and corrected by G. Moir Bussey. Published London 1840.

Dark Ambient

Ghouls gathering for combat in a Persian poem

Ghouls were largely unknown to Europe until Antoine Galland (a French writer) translated “The Thousand and One Nights” (also known as Arabian Nights).

Source: https://mythology.net/monsters/ghoul/ 

While the translation of the text was a wonderful venture into the rich Arabic culture, the texts were tainted because of Galland’s loose interpretation of the texts. In fact, he is thought to have created several characters and added in stories that were not originally part of the work. One of these characters was Amina – a woman who enjoyed keeping company with ghouls inhabiting a graveyard instead of spending time with her new husband.

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This version of ghouls introduced the idea that the creatures frequented graveyards specifically to feast on the dead – which in turn had a large impact on how Europe grew to perceive the ghoul legend.

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The ‘Arabian Nights’ text continued to grow in popularity across Europe and, in turn, inspired many stories of the ghoul that affected the modern day interpretation of the creature. Some of the most famed writers of history were inspired by these legends and would eventually add their own perspective of the creature and its motivations.

Warhammer - Dawn of the Cadaver Ghoul

Lyrics

He feeds on the ones that died in the battle

When the sunlight sets, he creeps out of his cave

The smell of rotten flesh excites his insane mind

The stench of decay fills the fiery air

Dawn of the cadaver ghoul

Only the dead satisfy his soul

He likes the sight of all those broken bodies

Decapitated corpses are lying all around

What's disgusting to us, he finds of beauty

The absolute horror is represented through him

Dawn of the cadaver ghoul

Wicked, awful creature just waiting for you

The wars fought by mankind supply his eerie needs

He's the king of predators, the instinct of evil

The legend passed on by the children that he went insane

The perfect mirror for the wrong that is done in this world

No one sees the demon when his work is complete

Is he just a ghost of all wild stories that are told?

Or will he come back when more blood is shed?

And will the fear never ever go away from here?

He feeds on the ones that died in the battle

When the sunlight sets, he creeps out of his cave

The smell of rotten flesh excites his insane mind

The stench of decay fills the fiery air

Dawn of the cadaver ghoul

Only the dead satisfy his soul.

Decimation - Summoning The Hordes Of Ghoul Chapel Dæmons

Lyrics

I have seen the Unknown Lands,

That no map has charted.

I have lived in the deserts,

the wastelands, spoken with demons.

Souls of slaughtered men,

Victims of the she-fiend

LAMMASHTA.

I have traveled beneath the Seas,

In search of Palace of Master

In search of Palace of Master

and I found stone of monuments

Of vanquished civilizations,

And deciphered the writings.

Civilizations were destroyed.

I have traveled among the stars,

and trembled before the Gods.

I have, at last found the formulae

By which I passed the Gate ARZIR,

And passed into the forbidden realms of the foul IGIGI.

I have raised demons and the dead.

I have summoned the ghosts of my ancestors to real

I have raised demons and the dead.

I have summoned the ghosts of my ancestors to real

And visible appearance on

The tops of temples built to reach

The stars, and built to touch

The nethermost cavities of HADES.

I have wrestled with the Dark Wizard, AZAG-THOTH,

In vain, and fled to the Earth

By calling upon INANNA

And her brother MARDUK

Lord of the double-headed AXE

I have raised armies against the Lands

Of the East, by summoning the hordes of fiends

I have made subject unto me, found NGAA, the God of the heathens

Who breathes flame and roars like a thousand thunders

I have found fear